Red Titans

It is not a film about giants, but about what we see when we no longer know what we are looking at.

With Red Titans, I explore the fragile threshold between what we perceive and what we choose to believe. The ancient red giants crossing the city are not merely enigmatic figures: they are mirrors, surfaces onto which the community projects memories, fears, and desires. Their ambiguous nature — alive or constructed, organic or mechanical — is not a puzzle to be solved but a space to inhabit.

The film emerges from the idea that collective imagination can turn an object into a myth, an apparition into a memory, a structure into a being. Eastern Europe becomes the ideal landscape for this perceptual metamorphosis. 

I am not seeking answers, but resonances — the moment when the wind moves the titans’ heads and everything feels possible. Ambiguity is not a narrative device; it is the substance of the film. 

Red Titans is an invitation to look at the world with renewed eyes, accepting that sometimes mystery is more real than reality.