An immersive production studio that loves integrating real-time motion graphics into the fields of theatre, opera, events and public spaces.

LATEST NEWS

// 29.09.2024 Chongqing, Ocean 88 for 3788!  3D数字艺术大片《Ocean 88》。巨幕运营方供图 
Can you imagine the ocean appearing in the center of the city? In Chongqing Guanyinqiao Business District, you can now see a naked eye 3D version of "Ocean 88" on the 3788 "Light of Asia" landmark giant screen.   3788巨幕×瑞士艺术家Roberto Vitalini 3D数字艺术大片《Ocean 88》震撼亮相重庆 | MANA (manamana.net) Video

// 25.04.2024 Video Scenography for Zarqa Al Yamama, a Grand Opera in Arabic | Sheikh Fahad Cultural Centre in Riyadh, Saudi Arabia

Production inspired by an ancient Arabian folk tale features English opera star Sarah Connolly, Italian tenor Serena Farnocchia and Saudi soprano Sawsan Al Bahiti. Written by Saudi Arabian playwright Saleh Zamanan, the nearly two-and-a-half-hour production is performed entirely in Arabic and is based on a pre-Islamic Arabian story about a woman blessed with foresight who unsuccessfully warns her tribe of imminent danger.

// 20.03.2024 "Fu" Culture International Digital Art Competition | Anhui, China | BASHIBA winner of the Emerging Art Award

WORLD EVENTS

We love abstract, sound-reactive,
large video surfaces.

OPERA

We envision immersive video environments
for use in opera, theatre, large events and public spaces.

THEATRE

PUBLIC ARTWORKS

PRESS

// 28.04.2023 Financial Times: 4/5 stars
English National Opera’s Symphony of Sorrowful Songs — the effect is enthralling | Financial Times (ft.com)
"The stage area is a triangle, open to us on one side, with two curtained walls. On these, videos by Roberto Vitalini show us a galaxy of stars, seas at night and other vast contexts within which one human situation becomes central."

// 28.04.2023 The Guardian: 4/5 stars
Symphony of Sorrowful Songs review – Gorecki’s triptych retains its visceral power in thoughtful staging
| Classical music | The Guardian
"Roberto Vitalini’s mesmeric video design and Jon Driscoll’s haunting lighting are major elements in the production’s success, as is Bywater’s set."

// 28.04.2023 The Telegraph: 4/5 stars
Symphony of Sorrowful Songs, ENO, London Coliseum, review: a powerful staging of a dark classic – and a sharp warning for the Arts Council (telegraph.co.uk)

// 28.04.2023 The Times: 5/5 stars
Symphony of Sorrowful Songs review — a hauntingly beautiful staging (thetimes.co.uk)

// 28.04.2023 The Stage: 5/5 stars
Symphony of Sorrowful Songs review at London Coliseum (thestage.co.uk) : “Visionary”

// 28.04.2023 Planet Hugill: Henryk Górecki's Symphony of Sorrowful Songs at ENO in an astonishing visual treat from Isabella Bywater. "Bywater's production gave us some astonishing imagery. It wasn't a dramatisation so much as a poetic visual meditation on the music."

24 Heures (2019)

Wanderful (2020)

24 Heures (2019)

AV Magazine (2019)

BBC (2019)

24 Heures (2019)

Guardian (2019)

SRF Tagesschau (2019)

GENERATIVE ART

We design and deliver media sensitive environments, where technology is married to narration and space. 
We use architecture as a canvas and light as a material.

SERVICES

video scenography
creative direction
a/v performance
generative art

SOCIAL MEDIA

INSTAGRAM
PINTEREST
TWITTER
VIMEO

CONTACT US

info@bashiba.com

mobile: +41 79 669 40 15